Showing posts with label Sci-Fi / Fantasy. Show all posts
Showing posts with label Sci-Fi / Fantasy. Show all posts

Sunday, August 08, 2021

A Low Fire in the Night: An Episodic Novel by A. F. Litt (Me!) on Kindle Vella

 

Photo by A. F. Litt

For the last few years, I've been so buried in other projects that I really haven't had the time to keep up on this blog much.

As some of these projects start coming to fruition, though, it's time to re-up my blogging game. Jason Roberts and I, a collaborator on several books recently released, with more coming in the fall, recently declared the rest of the summer to be "Heavy Content Summer" for both of us, so here I go!


For this first update in far too long, I'd like to share my new project on Kindle Vella. This is a new service by Amazon that works around the episodic posting of chapters of longer works. 

For me, this project is mostly about playing around with the new service and getting to know it. Also, it is kind of fun! I'll be writing it in "real time," one or two chapters at a time before it goes live, a way to get a book out in bite-sized chunks for me, with at least one new episode a week coming out from now until it is done. While I am not currently lacking for writing or editing work, this side-project does accomplish something very important for me, it's getting a story set in the world that I've been building for years and decades out into the public.

It is a prequel to both The Properties of Dust novel from NaNoWriMo 2019 and to Against the Dying of the Light from NaNoWriMo 2012! Now, this probably begs an important question, why start a completely new novel when you have a rough draft of Dust and 3/4 of a draft of Against already in the can!?! 2012, dude! That one's been sitting around for almost a full decade?

There are many complex answers to those questions, one of them being, in fact, dude, that one has been sitting around for almost a full decade! And I haven't read it front to back, well, ever! While Properties is newer, in a sense, and already more of a third or fourth draft as opposed to Against, being the third incarnation of a novel that I've been working on in one form or another since the 1990s, it also suffers from having just a bit too much time collecting on it's dusty pages. 

The lead time on getting either of those projects back up and running was too much for the nature of the project I was looking to start with Vella. Those are both very complex novels that will take a lot of work to start up and to complete. For this first story on Vella, I was looking for something I could crank into quickly that was a bit less complex, though still fun to read. 

Also, this is a completely new service from Amazon that I am completely unfamiliar with, as it is for everyone else reading and writing there right now. I wanted to hedge my bet with a more, um, disposable novel before getting locked in there with other manuscripts that I've been working on for years and years.

If this experiment goes well, perhaps the first drafts of those next books in this series will debut on Vella. Or not. We'll see how things go.

Finally, and this was the biggest motivation for me on starting a new story instead of picking up one of the old ones... I am not sure if you noticed, but the over the years since 2019 and, wow, since 2012, a lot has happened in the world.

Against the Dying of the Light was set about 50 to 75 years out from 2012's future, as best as I could predict for my fictional purposes then. It was set after a soft-apocalypse in a community making some decisions that would decide whether it survived and rebuild or collapse further into darkness.

The Properties of Dust was set about 30 years from 2019's future in an increasingly dystopian America, just before the events that eventually kicked the U.S., at least, over the brink into the world we see in Against.

While it's only been a little less than two years since my last go at the Dust manuscript, what a two years it has been!
 
More than anything, for me, A Low Fire in the Night is a chance for me to reset this series in a world based on where we are now in 2021 without having to rework a lot of elements in those other manuscripts, then having to deal with all the continuity issues that would be brought up by those revisions. To put it bluntly, those houses were pretty solid, but their foundations were destroyed by the events of the last few years. Sometimes it is better just to start with a completely new house.

Those books are still on my "production calendar" for a little further down the line. Before then, I also have another novel I've been working on, my main project right now, in fact, that should be meeting the world this autumn, set in Jason Robert's Dead Wind universe, then there are two projects I'm editing for Jason that are his "break" projects before his third book in the main Dead Wind trilogy, and after all that, of course, there will be third Dead Wind trilogy novel, which will be as massive of a project as The Yellow Painted Man and Tres Castillos, starting up for both of us, for me as story editor, this winter after our "break" projects are finished up.

Aside from all of that, there's over a year's worth of updates due on the Recreating the Columbia River Highway website that need to be done. A lot of folks have been doing some amazing research on that subject while I've been off editing and writing fiction, and I very likely will be sneaking out a book relating to that content sometime next spring (big knock on wood, there, and not the big book that those folks have been waiting for, not quite just yet). Early drafts of that may be another Vella project or something I manage through Patreon.

So there is a lot of very exciting stuff in the works, and a lot of exciting stuff has happened since the last real post on this blog. 

Stay tuned! 

A big part of Jason and I's agenda for the next couple months is closing out the season with that "Heavy Content Summer" theme, and I've got a couple new posts in mind for here that will be much more interesting than this sort of self-indulgent naval gazing, but actually exploring some interesting stories and what not from history and this strange world we live in!

Finishing up for today, if this is your first time visiting Rubble, while I do stick this sort of project update post in here from time to time, this blog is really devoted to actual content, a smorgasbord, really, from weird dives into old sci-fi and some creative writing, to my 2016-2017 National Parks Project (also coming back soon in a revamped form, focusing more generally on public lands) and just all sorts of history and exploration of interesting stuff locally in the Northwest and around the country. It's called Rubble for a reason! 

Click on some of those links or tags over on the right (if you're on a computer, at least) and dive in!

Links


A Low Fire In the Night: https://amzn.to/3Aj0k2g

The Dead Wind Series by Jason Roberts (edited by A. F. Litt):

Wolpertinger:
https://jasonrobertsonline.com/the-wolpertinger (Free to read online)

The Yellow Painted Man (2nd Edition):
https://amzn.to/3670o8v (Kindle, Audio Book)
https://amzn.to/3weUywr (Hardcover, Paperback)

Tres Castillos:
https://amzn.to/3hb9vLu (Kindle, Hardcover, Paperback)

Sunday, November 03, 2019

The Yellow Painted Man is Done!

So, the book we were slaving away on is out! I am very excited about this! I hope folks enjoy reading it as much as I enjoyed helping Jason out with it.
The book description:
In 1863, as war rages in Mexico and the United States, another millennia old conflict is escalating. Fueled by the whims of an eldritch intelligence, all of mankind is subject to its sway. Samuel Sheldon is a chosen heir of the Trust, an enigmatic and gold obsessed cabal with origins seeped in the secret history of the world. When his prisoner, Mangas Coloradas, is murdered on Sheldon's first assignment, an unpredictable series of events threaten to upset the Trust's flawless designs. Determined to prove his worth, Sheldon is tasked with recovering a vast horde of missing gold; an endeavor that swiftly spirals into a supernatural odyssey of violence sprawling from the siege of Richmond to the wastelands of Mexico. Obstructed by treachery and confronted with the strange secrets of his employers, Sheldon must decide if the rewards of power are worth the price.
From Jason Roberts:
The time is nigh! I promised a big announcement this week and so I shall deliver! Today I announce the publication of my first novel, The Yellow Painted Man, now available for sale on kindle, print, and soon to be audible! It’s been a difficult but rewarding process, filled with humbling but educational experiences. I have to give a shout out to A.F. Litt Creative for the dogged determination to see this project through and to my wife Kim for her encouragement along the way.

Tuesday, September 17, 2019

Almost Done!

Photo: A. F. Litt, 2019


I've been pretty quiet here, especially when it comes to creative content, because I've been busy working hard all year editing a novel for a client.
The good news is that we are almost done, in the final stages of editing, and should be hatching that bad boy out into the world pretty soon!
It's been a lot of hard work, but I am so excited to share my client's writing with everyone in the coming weeks. It's a hell of a story he's told, and I hope everyone will enjoy it as much as I have!
More details to follow as they become available!

Thursday, June 22, 2017

Trouble in a galaxy far, far away...

https://www.instagram.com/p/BVT3HD1FG3u

Step away from Facebook and the news for a few days and all hell breaks loose.  I have a not so great feeling about this...

Phil Lord and Christopher Miller are talented filmmakers who have assembled an incredible cast and crew, but it’s become clear that we had different creative visions on this film, and we’ve decided to part ways.  - Kathleen Kennedy

The Hollywood Reporter: Ron Howard Steps in to Direct Han Solo Movie (Exclusive) 


Ron Howard has been named as the new director of Lucasfilm and Disney's untitled Han Solo movie, sources tell The Hollywood Reporter exclusively. The official announcement came later Thursday morning. 
The move comes two days after directors Phil Lord and Chris Miller were let go from the movie they had spent over four-and-a-half months directing. Creative differences over style and tone came to a head between the duo and Lawrence Kasdan, with the studio backing the veteran screenwriter.   
... 
Howard, sources tell The Hollywood Reporter, will meet with the actors — Alden Ehrenreich is playing the iconic smuggler, Donald Glover is playing Lando Calrissian, with Woody Harrelson, Emilia Clarke and Thandie Newton also on the roll call — to soothe a rattled set and will pore over a rough edit to see what the project needs. Filming will resume on July 10.
http://www.hollywoodreporter.com/heat-vision/star-wars-han-solo-movie-ron-howard-steps-direct-1015674



This can't be good for the movie, and I hoped that the directors of The Lego Movie would be a good fit, I was looking forward to seeing what they did with Star Wars. However, the buzz was that this script is the strongest ever for a Star Wars movie and they let Lord and Miller go over creative differences with writer Lawrence Kasdan. Supporting the writer of The Empire Strikes Back and The Force Awakens seems like a solid move.

Variety suggests that the issues were primarily between uber-producer and current queen of the Star Wars universe Kathleen Kennedy (all hail our savior!) and the directors.

“Kathy, her team and Larry Kasdan have been doing it their way for a very long time. They know how the cheese is made and that’s how they want it made,” said the source. “It became a very polarizing set.”

But switching directors 3/4 through principal photography? I don't know if any show can really survive that hit. Wow. Hopefully Howard can work ninja-like magic to pull this off. If it can be done, he's one of the few with the experience and skill to do it, but I am really not sure if it can be done.

Finally, in any other situation, I am not sure I'd be a fan of seeing Howard direct a Star Wars movie for various reasons I won't get into here, but in this situation, for those very same reasons, he may just be the man for the job. 

So far, there has been no change to the planned May 25, 2018 release date.

Sources have told Variety that the current scenario is very rare and is unlikely to be settled soon since the movie requires re-shoots this summer and extensive work in post-production due to special effects.

Variety: Han Solo Firing: Will Ron Howard Share Directing Credit With Lord & Miller?

Disney-Lucasfilm, Howard, Lord and Miller have also not commented on the issue of who will get the directing credit. Studio sources say they will defer to the guild’s rules.  
...   
The DGA’s rules also preclude replacing the director with someone else already employed on the movie. That prevented Disney-Lucasfilm from naming Lawrence Kasdan as the new director despite his extensive experience in the director’s chair. That rule dates back to the firing of Philip Kaufman from 1976’s “The Outlaw Josey Wales.” In that case, Clint Eastwood, the star of the film, took over behind-the-camera duties, inciting an uproar.   
http://variety.com/2017/film/news/han-solo-firing-directors-guilds-credit-policies-1202476192/

Okay...  Now returning to the regularly scheduled programming.

P.S.  The movie is still officially unnamed.  Solo is just the working title (if those are even real shirts). I think they should make it official.  Keep it simple.  I like it.


Links




Business Insider: The fired Han Solo directors believed they were hired to 'make a comedy'
http://www.businessinsider.com/han-solo-directors-fired-reason-2017-6

Variety: ‘Star Wars’ Han Solo Spinoff: Lord & Miller Fired After Clashing With Kathleen Kennedy (EXCLUSIVE)

Sunday, April 26, 2015

Star Wars: The Clone Wars - Watch Unproduced Story Reels

The Return of Darth Maul
http://www.denofgeek.us/sites/denofgeekus/files/styles/article_width/public/9/62/darth_maul_3.jpg





Star Wars: The Clone Wars was canceled by Lucasfilm in mid-production, but some of the preliminary story reels of the incomplete episodes are available here: http://www.starwars.com/tv-shows/the-clone-wars-legacy. There are eight episodes available to watch covering two story arcs. Some of the other unused scripts were adapted into other media such as comics and novels. These stories are considered canon, and are worth checking out!


Asajj Ventress versus Ahsoka Tano
http://starwarsblog.starwars.com/wp-content/uploads/2015/08/Ahsoka_vs_Ventress_Teth.png


Links



The Verge: Incomplete episodes from canceled 'Star Wars: The Clone Wars' animation released online
https://www.theverge.com/2014/9/28/6854985/incomplete-episodes-from-canceled-star-wars-the-clone-wars-animated

Sunday, November 30, 2014

Wanderers

An amazing little film.  Watch on full screen, if possible!

Wanderers - a short film by Erik Wernquist from Erik Wernquist on Vimeo.

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Thursday, October 31, 2013

Orson Scott Card v. Ender: Boycotting Ender’s Game is Bad for Art

With so many artists we have to separate the work from the artist, because a lot of them ARE (or were) asshats.  And yes, sometimes they head so far off into the crazy that it is tempting to not "support" their art because we don't want to see a single one of our dimes fall into their pockets, or even offer them any tacit support of their ideas...

However, what has happened with Ender's Game seems like a real shame to me. It is a great book and I am really looking forward to the movie. I will see it. I will pay to see it. And, I suppose, that means giving a few dimes to OSC. But it also means giving a few dimes to the other artists who've contributed to this movie as well.

With Card, reading his more recent books is pretty painful because they are far from the brilliance of Ender's Game or Speaker For The Dead (which is even greater than Ender, IMHO). They are great examples of what happens when one's ego consumes one's talent. I also think this is what happened to Card politically, he got some traction in certain circles and then ran the football into the full crazy end zone.

But at the end of the day, I choose to support the great art and ideas expressed in Ender’s Game and Speaker, and I can do this without supporting the rest. This movie, whether it succeeds or not, is one of the few recent attempts to bring great, classic, deep and thoughtful sci fi to the big screen and I hope it succeeds. Not because it will benefit Card, but because its success will benefit the art, and hopefully encourage the production of more great sci fi movies based on big ideas and that don't sacrifice great writing for big effects and action sequences.

So blacklist OSC if you must, but let's not throw the baby out with the bathwater here. Supporting this movie is a lot different than throwing down $30 bucks for OSC's next hardcover piece of ego fueled drivel, and it is a good thing.

Orson Scott Card: Mentor, Friend, Bigot | Underwire | Wired.com:

"As a college student, I corresponded extensively with Orson Scott Card. For several years, I considered him a mentor and a friend. He was incredibly generous with his time and advice, and supportive of me as an aspiring fiction writer. I’ve had dinner at his home.

"I was out during that time. I was also largely unaware of the extremity of Card’s politics. His political reputation was much quieter back then — most of his internet presence was concentrated around a network of online writing workshop and critique groups — and his op-eds were published in circles I never stumbled into. The only time his beliefs came up in our conversations was a comment he made about fiction being a totally inappropriate venue for any kind of ideological proselytizing. I may not have agreed with his personal beliefs — I knew that he was an observant Mormon and at least somewhat politically conservative — but I respected and still respect the principle of not using fiction as a soap box, even if the author who introduced it to me has since forgotten or abandoned it."

My experience with Card is a lot like hers, without the direct contact.  Back in the Pre-Internet days, he was very active on Prodigy On-Line (I think that's what it was called) and that was very cool for me, and he shared a lot of information about writing with a bunch of us wannabes.  He was one of my favorite Sci Fi writers of all time (and his early books are still some of my favorites).

I was shocked last spring to hear that this movie was delayed by the studio largely because of the controversy over Card (though they denied this, if I remember correctly).  I always knew that Card was a devout Mormon, but I deeply troubled to hear that the author of one of the greatest books ever about tolerance and acceptance of others (Speaker For The Dead) was so vocal and public about his intolerance for the GLBT community.  To me, ensuring the success of this movie is a step towards getting THAT movie made which would do more to damage OSC's cause than boycotting this movie will.

Learning about Card’s words and actions caused me to really take a look at this issue of art v. artist.  In the end, I find I still can support the art over the artist, though I think it is also important to point out that we are drawing a line in our support, too. 

And, for me, this really has to do with more than just the GBLT angle in this particular case because, let's be honest, his ideas were the societal norm for the vast majority of history, so if we were to boycott all homophobic artists, we'd probably be boycotting 98% of everything ever produced, which feels wrong.  And if we aren't, then it also feels wrong to boycott Card.  Though being a product of his religion and times is no excuse for his public lobbying efforts…

Yet, I do think it is fair, even important and necessary, to point out when we are supporting the art over the artist, especially when they are  inserting themselves into political debates.  And this particular case really does sadden me because in many ways Card has shown himself to be a very decent man over the years through his support of beginning writers, even more so than I realized before reading the article above.  Few writers would bring an aspiring novice home for dinner.

People are complicated.  And yes, sometimes, they can really piss us off!  I have friends who’s views are not too far off from Card’s and it is sometimes difficult for me to reconcile my feelings about them.  But, unlike Card, they do not have a public platform to contribute to the debate, so their personal feelings are pretty much just that, and so my concerns are eased because it is hard for me to see how they are directly harming others while I can also hope that, perhaps, that my view can erode at theirs a bit over time. 

With Card’s public platform, however, that isn’t the case here.  His beliefs, when he lobbies against the GBLT community from a platform of intolerance and fear, is harmful to others.

But if I can reconcile these conflicting feelings about my friends, then I can do it with strangers whom I’ve never met, though it is much easier to paint strangers into black and white categories without ever knowing, or caring to know, what a complicated mess they really are.

Orson Scott Card Responds to Ender's Game Boycott With Ironic Plea for 'Tolerance' | Underwire | Wired.com:

"In a recent statement to Entertainment Weekly, Orson Scott Card responded to a proposed boycott of the upcoming film adaptation of his novel Ender’s Game by informing the movie-going public that it doesn’t really matter that he’s been working ceaselessly for the last decade to make sure gay people don’t get basic human rights, or that he advocated the violent overthrow of the government should same-sex marriage become legal, or that he’s used his position as a popular author as a platform from which to spew increasingly aggressive anti-equality rhetoric like his comment in a 2004 essay that gays ‘cannot be permitted to remain as acceptable, equal citizens within that society.’"

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Saturday, March 23, 2013

Issac Asimov: Foundation

IMG_0004

I am not writing reviews on Goodreads, but just making some notes on the books I am reading from time to time…

These are my notes my recent re-read of the first Foundation book…

FoundationFoundation by Isaac Asimov
My rating: 5 of 5 stars

Reading an omnibus with the original Foundation trilogy, but I wanted to make notes on each book individually and I love these covers from the 1980s, they illustrate the progression through time really well, showing Trantor in its various stages of decay...

Forgot how good these stories were. Much more solid than Asimov's robot stories. These were written a little later, so that makes sense. You can really see how he is developing as a writer.

Of course, these books are more about the ideas than the writing. The empire on the brink of collapse, while at its strongest, seems a bit more relevant today that it did when I first read these in the 1980s. The use of religion in the early days of the Foundation is brilliant, especially the untangling of power between the priesthood and secular leadership that must occur later on.

One thing that strikes me about the writing is the fact that very little "action" actually takes place "on screen," so to speak... These stories are a series of quiet (mostly) conversations about the great events taking place in the universe around them. But it is done so well that it is almost easy to overlook that.

One critique, though... One of the brilliant things about these stories is showing how history progresses, in most cases, slowly. Kingdoms do not rise and fall in flashes of brilliance and fury, they evolve slowly and die slowly. There is a real sense of this. The short story structure really helps this, too.

However, the dates feel a little accelerated to me. Especially with the development of the priesthood. That, to me, would seem like it would take, at a minimum, at least one more generation to really gain the grip it needs for the climatic events with the Four Kingdoms to occur.

I almost suspect that, if Asimov wrote these as an older man, he would have spaced those events out a bit more. However, to a younger man, 20 or 30 years feels like an eternity...

View all my reviews

  

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Thursday, December 06, 2012

Random thoughts on Asimov’s I, Robot

2012-12-06. 01.

From Goodreads, where I gave it four out of five stars…

Goodreads | Aaron Litt's review of I, Robot:

So, as I run through my reading list, I'll be writing a few words in the reviews. These are probably less reviews than just a few notes on the books I've been reading, more of a book blog for my own use rather than anything else...

First of all, this is a classic, and that status adds a star. Also, I did read, this time, the version with the unfortunate cover. I bought this at Powell's and they had countless copies of this version and one with one of the older covers, and they were asking a lot for that one. So I ended up with one of the cheap ones with the movie cover.

Asimov is a fun writer, more about ideas and concepts, than a master of prose. But his ideas, and the robot books in particular, have defined certain Sci Fi concepts for ever after. Not quite the same effect as Tolkien had on fantasy, but it would be hard to read about a robot after Asimov, or watch one in a movie, that didn't owe some debt to Asimov.

Of course, I am reading this and the rest of the robot novels by Asimov right now because I am working on a novel about robots myself. Need to check in with the master as I move ahead with that project. In many ways my robots are very different than Asimov's, in other ways they are very similar, and I am sure that, if I trace back the ideas in my book, even the idea of writing a book featuring robots as central characters, I owe quite a debt to Asimov myself.

As for this book, this is the second time I’ve read it. The first time, when I was a kid, I read it after the Bailey/Olivaw novels and was not a big fan of it. It felt like a short story collection slapped together with a feeble framework to turn it into a novel, and that is what it is in many regards. Reading it again as an adult, with far too many literature classes under my belt, I can see that it is more of a novel than a collection, now. It is not Bradbury's
The Illustrated Man, for instance, which is definitely a short story collection masquerading itself as a novel (The Illustrated Man is brilliant, don't get me wrong, it is just not a novel), and I, Robot does hang together better than that as an episodic "history" of robots.  The first episode is the only one that seems to be a little out of place here, though it is one of the stronger episodes and the strongest single short story of the novel.

When I first read this book as a kid, it was disappointing because it was not a more traditional novel, like the Bailey/Olivaw books. Now, though, I do appreciate it much more and I understand more that this is where Asimov developed the ideas that made those later novels possible. In the history of Science Fiction, it is a must read and, probably, if one were to only read one of the robot novels,
I, Robot should be the one read for this reason.  Still, it is not quite as fun of a read as the later human/robot detective stories, which belong in the Science Fiction canon as well, no doubt, but this is the higher ranking, important, and critical book on that list.

Yes. While reading this, I finally broke down and watched the movie "suggested" by the book. No. Don't do that. I talked myself into it, despite the previews, telling myself that maybe it was just another story set in this universe and that I should give it a chance, but no. It does not hold up like that. It doesn't utterly break with that possibility, but no. It pretty much does. Avoid it.


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Wednesday, April 04, 2012

James Cameron’s first film: Xenogenesis

Flavorwire » The First Films of 10 Famous Directors:

James Cameron, Xenogenesis (1978) James Cameron was driving a truck before he made his first film, Xenogenesis in 1978. He felt inspired (and frustrated) after watching Star Wars, spent a lot of time reading and learning how to use camera equipment, and his experimental sci-fi short was born. He made the movie with friends, and it eventually helped him get a job with famed producer Roger Corman as an FX specialist. We think it’s safe to say the filmmaker has come a long way in that department given the job he did on the CG-heavy Avatar.

James Cameron - Wikipedia, the free encyclopedia:

After seeing the original Star Wars film in 1977, Cameron quit his job as a truck driver to enter the film industry.[21] When Cameron read Syd Field's book Screenplay, it occurred to him that integrating science and art was possible, and he wrote a ten-minute science fiction script with two friends, entitled Xenogenesis. They raised money and rented camera, lenses, film stock, and studio, and shot it in 35mm. To understand how to operate the camera, they dismantled it and spent the first half-day of the shoot trying to figure out how to get it running.

While continuing to educate himself in film-making techniques, Cameron started working as a miniature-model maker at Roger Corman Studios.[19] Making rapidly produced, low-budget productions taught Cameron to work efficiently and effectively. He soon found employment as an art director in the sci-fi movie Battle Beyond the Stars (1980). He did special effects work design and direction on John Carpenter's Escape from New York (1981), acted as production designer on Galaxy of Terror (1981), and consulted on the design of Android (1982).[22]

Cameron was hired as the special effects director for the sequel of Piranha, entitled Piranha II: The Spawning in 1981. The original director, Miller Drake, left the project due to creative differences with Ovidio Assonitis. Cameron was hired by Assonitis to take over, giving him his first directorial job. (He had worked previously with producer Roger Corman.) The interior scenes were filmed in Italy while the underwater diving sequences were shot at Grand Cayman Island.[23]

The movie was to be produced in Jamaica. On location, production slowed down due to numerous problems and adverse weather conditions. James Cameron was fired after failing to get a close up of Carole Davis in her opening scene. Ovidio ordered Cameron to do the close-up the next day before he started on that day’s shooting. Cameron spent the entire day sailing around the resort to reproduce the lighting but still failed to get the close-up. After he was fired, Ovidio invited Cameron to stay on location and assist in the shooting. Once in Rome, Ovidio took over the editing when Cameron was stricken with food poisoning. Suffering from his illness, one night he had a nightmare about an invincible robot hitman sent from the future to kill him, giving him the idea for The Terminator, which would later catapult his filming career.[23]

 

James Cameron - Wikipedia, the free encyclopedia: 

Aliens (1986)

Main article: Aliens (film)

Cameron next began the sequel to Alien, the 1979 film by Ridley Scott. Cameron named the sequel Aliens, and again cast Sigourney Weaver in the iconic role of Ellen Ripley. According to Cameron, the crew on Aliens was hostile to him, regarding him as a poor substitute for Ridley Scott. Cameron sought to show them The Terminator but the majority of the crew refused to watch it and remained skeptical of his direction throughout production. Despite this and other off-screen problems (such as clashing with an uncooperative camera man and having to replace one of the lead actors – Michael Biehn of Terminator took James Remar's place as Corporal Hicks), Aliens became a box office success, and received Academy Award nominations forBest Actress in a Leading Role for Weaver, Best Art Direction, Best Film Editing, Best Original Score, Best Sound, and won awards for Best Sound Effects Editing and Best Visual Effects. In addition, the film and its lead actress made the cover of TIME magazine as a result of its numerous and extensive scenes of women in combat - these were almost without precedent and expressed the feminist theme of the film very strongly.

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Wednesday, February 01, 2012

Stephen Baxter: Destiny's Children & the Xeelee Sequence

2012-02-01. 1.

A friend of mine loaned me this book quite awhile ago and I haven’t started it yet because I knew it was a part of a larger series.  I wanted to make sure that it was a good book to start with before I started and, more importantly, just how long of a series I was getting myself into.  Once I start a series, my OCD kicks in and I tend to have to finish it, even if it takes a turn for the awful.

No notes, commentary or analysis yet.  Haven’t read a page.  Just some links on the series for now.

Glancing at some reviews, I read this (Exultant).  It covers some territory I am interested in covering with my own writing, but I am not considering this a comitment to finishing whole Destiny’s Children Series, let alone the entire Xeelee sequence.

Yes, I am all about the sci-fi these days, but I am wanting to spend more time reading through some of the old classics I never got around to and revisiting a few that I haven’t read since I was a kid, so unless this blows me away, I am just taking a pit stop here with Baxter until my next Powell’s run on Saturday!

The Xeelee Sequence - Timeline (www.stephen-baxter.com)

Destiny's Children - Wikipedia, the free encyclopedia:

Destiny's Children is a science-fiction series by Stephen Baxter. It takes place within his larger series, the Xeelee Sequence. Like his previous Manifold Trilogy, the books are not direct sequels to one another, but are instead thematically linked by the appearance of concepts, themes, and sometimes characters in multiple books.

Stephen Baxter - Wikipedia, the free encyclopedia:

Baxter's "Future History"[1] mode is based on research into hard science. It encompasses the monumental Xeelee Sequence, which as of July 2009 is composed of seven novels (including the Destiny's Children series), plus four novellas and 46 short pieces, all of which fit into a single timeline stretching from the Big Bang singularity of the past to his Timelike Infinity singularity of the future.[2] These stories begin in the present day and end when the Milky Way galaxy collides with Andromeda five billion years in the future.[2] The central narrative is that of Humanity rising and evolving to become the second most powerful race in the universe, next to the god-like Xeelee. Character development tends to take second place to the depiction of advanced theories and ideas, such as the true nature of the Great Attractor, naked singularities and the great battle between Baryonic and Dark Matter lifeforms.

Another category, outside of the main body of Baxter's independent work, is sequels to science-fiction classics. His first novel to achieve wide recognition (winning three literary awards) was The Time Ships, an authorised sequel to H.G. Wells' The Time Machine. The Time Odyssey series, a trilogy co-authored with Arthur C. Clarke, is connected to Clarke's four Space Odyssey novels. Baxter has also published a novel based on a synopsis written by Clarke, The Light of Other Days.

Xeelee Sequence

Raft
1991
ISBN 0-246-13706-1
Arthur C. Clarke Award nominee, 1992[9]

Timelike Infinity
1992
ISBN 0-00-224016-5

Flux
1993
ISBN 0-00-224025-4

Ring
1993
ISBN 0-00-224026-2

Vacuum Diagrams
1997
ISBN 0-00-225425-5
Philip K. Dick Award winner, 1999[8]

Short story collection.

Reality Dust
2000
ISBN 1-902880-10-2

ISBN 1-902880-11-0

Novella (first published by PS Publishing as trade paperback and hardcover; both limited; later collected in Resplendent)

Riding the Rock
2002
ISBN 1-902880-60-9

ISBN 1-902880-59-5

Novella (first published by PS Publishing as trade paperback and hardcover; both limited; later collected in Resplendent)

Mayflower II
2004
ISBN 1-904619-16-9

ISBN 1-904619-17-7

Novella (first published by PS Publishing as trade paperback and hardcover; both limited; later collected in Resplendent)

Starfall
2009
ISBN 978-1-906301-59-0

ISBN 978-1-906301-60-6

Novella (published by PS Publishing as hardcover and jacketed hardcover; both limited)

Destiny's Children

Coalescent
2003
ISBN 0-345-45786-2
Arthur C. Clarke Award nominee, 2004[10]

Exultant
2004
ISBN 0-345-45788-9

Transcendent
2005
ISBN 0-345-45792-7
John W. Campbell Memorial Award nominee, 2006[11]

Resplendent
2006
ISBN 0-575-07896-0
Short story collection.

A Time Odyssey (Co-authored with Arthur C. Clarke)

Time's Eye
2003
ISBN 0-345-45248-8

Sunstorm
2005
ISBN 0-345-45250-X

Firstborn
2007
ISBN 978-0-345-49157-2

 

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